“Haunt me for the rest of my life…”

Guido Kunze as Heathcliff in Wuthering Heights
Mittelsächsische Theater Freiberg, 2012
PHOTO: DETLEV MÜLLER

Wuthering Heights

(1957-1958) 130’
A musical drama in a prologue and three acts
Text Libretto by the composer, based on the novel by Emily Brontë
Scoring: 2S, M, 4T, Bar, B; chorus
2.2.2.2-2.2.2.0-timp.perc-harp-strings

Floyd’s deeply affecting opera based on Emily Brontë’s novel tells of two remarkable characters, Cathy and Heathcliff, whose all-consuming love affair ultimately wreaks havoc not only on their lives, but on the lives of those around them. Cathy and Heathcliff, childhood companions, fall in love. Their disparate social statuses lead them on divergent paths, and Heathcliff leaves Wuthering Heights. When he returns three years later a wealthy man of the world, Cathy has married and refuses his advances. When he in turn marries another, Cathy cannot go on living and dies in Heathcliff’s arms. In the final scene, Heathcliff asks the ghost of Cathy to haunt him forever. The opera’s score conveys the windswept Yorkshire moors and the passionate, rebellious nature of the doomed lovers.

Floyd’s opera is both spectral and emotionally intense… The writing has about it a florid brilliance entirely in keeping with the themes of love in vain, betrayal and striving for the unattainable.
— Music Web International

Lilia Milek (left) as Cathy and Guido Kunze (right) as Heathcliff in Wuthering Heights
Mittelsächsische Theater Freiberg, 2012
PHOTO: DETLEV MÜLLER

Notable Moment: “It would not degrade you to love me now”
Heathcliff (baritone), Act III, Scene 1

Heathcliff leaves Wuthering Heights after overhearing his beloved Cathy say that marrying him would degrade her. He has now returned after making his fortune; in this passionate aria, he pleads his case to Cathy, asking her to come away with him.