“What’s to become of our poor, sandy souls?”

Slow Dusk

(1948-1949) 40’
A musical play in one act
Text Libretto by the composer
Scoring S, M, T, Bar
2.2.2.2-2.2.2.0-timp.perc(1)-harp-strings

Robert Balonek (left) as Jess and Janice Meyerson (right) as Aunt Sue in Slow Dusk little OPERA theatre of ny, 2013
PHOTO: NICK SOLYOM

Floyd’s first opera is based on his own short story “A Lengthening Shadow,” which takes place in the sandhills of the Carolinas and features familiar themes of poverty and religious fundamentalism. Sadie and Micah plan to marry, against the wishes of Sadie’s family who oppose the relationship because their families belong to different religious sects. Despite their poor land prospects, they dream of working hard and building a future together. While Sadie’s aunt Sue attempts to dissuade her, tragedy strikes, dashing the young couples’ hopes.

Notable Moment: “Sadies Lament”
Sadie (soprano)

This compact one-act opera ends with this soprano aria: Sadie’s torrent of grief after the accidental death of the man she loved and hoped to marry.